Greatest Mob Movies Of All Time
Parimal
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The mob has always been one of the great themes for films. The combination of apparently easy wealth, moral compromise and violence has provided rich themes for generations of film makers. This article, I will discuss the ten greatest mob movies of all time, listed chronologically: Public Enemy (1931): This movie is an especially dark, film noir look at the life of a petty criminal who becomes increasingly ruthless and violent and is ultimately destroyed. The film was released before any film codes, so it is a surprisingly modern film.
The Big Sleep (1946): The Large Sleep is my personal favorite Humphrey Bogart film, and it is a tense crime drama set in Florida together with blackmail and murder. The movie code washed out lots of the more explicit elements of the film, so take a look on the book by Raymond Chandler. Then you definitely will watch the film and say, "Oh that is what's going on." On the Waterfront (1954): Wait, this is not a mob movie! It is about a boxer and his relationship with a corrupt union that... Yep, it is a mob movie, but it is a film that reveals the other facet of mob life, not from the viewpoint of the gangsters, but from that of people who are pressure to stay inside mob-controlled institutions.
The Godfather (1972): The Godfather is the mob film, establishing it as a particular style, but additionally changing the mob film in vital ways. It established the concept of gangsters as being glamorous, one thing that actually had not been seen in previous films. It also taught filmgoers in regards to the rules and establishments of the mob, offering an "official" context for future mob films.
Mean Streets (1973): Mean Streets is the anti-Godfather. Rather than focus on the wealth and prestige of crime, it focuses on petty criminals in Little Italy. The film takes a great deal of its inspiration from films like Public Enemy. Compare the approach to crime in Mean Streets with The Godfather, Part II (set largely in the same area), and you'll see a huge contrast.
The Godfather, Half II (1974): The Godfather, Part II expanded the mob mythos by taking viewers via the history of the development of Vito Corleone's management within the mob. In effect, it tied the mob again to the street. On the identical time, we saw more of the corruption of Michael Corleone, main him to be just about inhuman by the tip of the film.
Pulp Fiction (1994): Pulp Fiction is the most influential film since Star Wars, redrawing the boundaries of what can be considered "plot" in a film. It has a number of interweaving stories, and they revolve around the crew of Marcellus Wallace, a Los Angeles crime lord. The film is a mixture of clever dialogue and sudden violence and is still Quentin Tarantino's most-watched film. Traffic (2000): Traffic takes a different approach to mob life, following parallel stories of drug traffickers and the police who try to bring them down. The film is unambiguously on the side of the police officers, but manages to do this without ever treating the criminals like they are not human. It also has the advantage of dealing with some of the effect that the drug trade has on people living in countries such as Mexico.
The Big Sleep (1946): The Large Sleep is my personal favorite Humphrey Bogart film, and it is a tense crime drama set in Florida together with blackmail and murder. The movie code washed out lots of the more explicit elements of the film, so take a look on the book by Raymond Chandler. Then you definitely will watch the film and say, "Oh that is what's going on." On the Waterfront (1954): Wait, this is not a mob movie! It is about a boxer and his relationship with a corrupt union that... Yep, it is a mob movie, but it is a film that reveals the other facet of mob life, not from the viewpoint of the gangsters, but from that of people who are pressure to stay inside mob-controlled institutions.
The Godfather (1972): The Godfather is the mob film, establishing it as a particular style, but additionally changing the mob film in vital ways. It established the concept of gangsters as being glamorous, one thing that actually had not been seen in previous films. It also taught filmgoers in regards to the rules and establishments of the mob, offering an "official" context for future mob films.
Mean Streets (1973): Mean Streets is the anti-Godfather. Rather than focus on the wealth and prestige of crime, it focuses on petty criminals in Little Italy. The film takes a great deal of its inspiration from films like Public Enemy. Compare the approach to crime in Mean Streets with The Godfather, Part II (set largely in the same area), and you'll see a huge contrast.
The Godfather, Half II (1974): The Godfather, Part II expanded the mob mythos by taking viewers via the history of the development of Vito Corleone's management within the mob. In effect, it tied the mob again to the street. On the identical time, we saw more of the corruption of Michael Corleone, main him to be just about inhuman by the tip of the film.
Pulp Fiction (1994): Pulp Fiction is the most influential film since Star Wars, redrawing the boundaries of what can be considered "plot" in a film. It has a number of interweaving stories, and they revolve around the crew of Marcellus Wallace, a Los Angeles crime lord. The film is a mixture of clever dialogue and sudden violence and is still Quentin Tarantino's most-watched film. Traffic (2000): Traffic takes a different approach to mob life, following parallel stories of drug traffickers and the police who try to bring them down. The film is unambiguously on the side of the police officers, but manages to do this without ever treating the criminals like they are not human. It also has the advantage of dealing with some of the effect that the drug trade has on people living in countries such as Mexico.
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